| Member | Role | Notable Credits | |--------|------|-----------------| | | Keyboardist & arranger | Worked with Kraftwerk on early synth programming | | Günther “Günni” Schiller | Bass & synth bass lines | Session work on Silver Convention tracks | | Petra Müller | Lead vocals | Backing vocals for Boney M. and Donna Summer (uncredited) |
The world of educational content has undergone significant transformations over the years. From traditional textbooks to digital resources, the way we learn and access information has changed dramatically. In this article, we'll take a nostalgic look back at a specific educational resource that has garnered attention: "Eros School Feels So Good -1977-". We'll explore the context of this content, its significance, and what we can learn from it.
(originally titled Erosu gakuen: Kando batsugun ) is a 1977 Japanese Pinku eiga (Pink film) produced by the famous Nikkatsu Corporation . Directed by Koretsugu Kurahara , this specific title has gained a reputation in cult cinema circles as one of the most provocative entries in the Nikkatsu Roman Porno library.
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For those who had the privilege of being part of Eros School, especially those who joined in its inaugural year, the experience left an indelible mark on their lives. It was a period of growth, learning, and unparalleled joy – a time when education didn't just feel like an obligation but a journey that "feels so good."
In the case of Eros International, the company has produced a range of films and content over the years that explore themes related to education, personal growth, and social change. While I couldn't find any specific information on a film titled "School Feels So Good," I did discover that Eros International has a long history of producing high-quality content that resonates with audiences around the world.
Directed by , Eros School: Feels So Good is often cited by film historians and cult cinema enthusiasts as a transgressive and highly unconventional entry in the Nikkatsu catalog. Production Studio: Nikkatsu Director: Koretsugu Kurahara Screenplay: Akira Momoi Key Cast: Asami Ogawa, Morihei Murakuni, and Asami Morikawa Artistic Style and Reception Download -18 - Eros School Feels So Good -1977-...
Eros School Feels So Good, directed by Sergio Bergonzelli, an Italian filmmaker known for his contributions to the erotic genre, captures the spirit of this era. The film's narrative, a loose collection of episodic scenes showcasing various forms of erotic expression, reflects the period's desire for liberation and exploration. By fusing educational and prurient elements, Eros School cleverly subverts traditional notions of pedagogy, presenting viewers with a purportedly instructive yet undeniably titillating experience.
Describing a plot for Eros School: Feels So Good is an exercise in surreal perversion. The story exists in an alternate universe where kids rule over ineffectual adults, and rape is presented as a kind of recreational sport. The film centers on and a rival institution, Agape. The peace is shattered by the arrival of Ryu , a 30-year-old high school student who transfers in after being expelled from his last school for rape.
The film is characterized by an uneven tone that shifts from slapstick humour and "Benny Hill-style" music to a disturbingly dark and absurdist climax involving a pet pig—a scene frequently cited by reviewers as one of the most shocking in the genre. Production and Legacy Eros School: Feels So Good (1977) - IMDb | Member | Role | Notable Credits |
The films from this period are noted by film historians for several distinct features:
(1977) is a film belonging to the Nikkatsu Roman Porno genre, a specific era of Japanese cinema. During the 1970s, the Nikkatsu Corporation, one of Japan's oldest major film studios, shifted its production focus to high-quality erotic dramas to compete with the rising popularity of television. Historical Context: Nikkatsu Roman Porno
The film is widely cited by cinema historians as one of the most deliberately provocative titles in Nikkatsu's catalog. It heavily utilizes a pitch-black, absurdist comedic tone to address highly taboo topics. Modern critical reception on platforms like Letterboxd frequently highlights its jarring tonal shifts—ranging from lighthearted schoolyard tropes to deeply transgressive, surreal shock humor. Home Video Availability and Digital Preservation In this article, we'll take a nostalgic look
Ryu (played by Murakuni Shôhei), an older delinquent student fresh out of a reform facility, transfers to the school. He immediately states his malicious intents, upending the social order and assaulting the female student body.