The Concerto for Alto Saxophone and String Orchestra, Op. 14, by Swedish composer Lars-Erik Larsson stands as one of the most significant works in the classical saxophone literature. Written in 1934, it remains a pinnacle of technical mastery and lyrical expression. Musicians, students, and scholars frequently search for the full PDF score to study its intricate structure, neo-classical elements, and demanding solo part. Historical Context and Creation
Therefore, Larsson's Saxophone Concerto will remain under copyright until at least . Where to Find Legitimate Copies
Larsson’s other works for wind instruments are also worth exploring: his Little Serenade for strings (1948), Concertino for Horn (1955), and Twelve Studies for Solo Saxophone (unpublished, but available via Gehrmans) form a coherent body of Scandinavian wind repertoire.
Because the accompaniment consists strictly of strings, the saxophonist must blend carefully. The instrument can easily overpower a string section, requiring mastery of pianissimo playing in difficult registers.
The piece requires a secure altissimo register. larsson saxophone concerto pdf full
For practice and performance with a collaborative pianist, you can purchase the official Gehrmans edition (often labeled with the catalog number Gehrmans Carl Gehrmans Musikförlag ).
The emotional core. This is one of the most beautiful slow movements in the saxophone repertoire. The saxophone spins a long, unbroken melody over simple string chords.
This means that free, legal PDF downloads on open-source repositories like IMSLP (International Music Score Library Project) are not legally available. Websites offering unauthorized "free full PDFs" of this work are often violating copyright laws or hosting unsafe files. Authorized Digital and Physical Editions
However, obtaining this PDF presents a legal and logistical hurdle. The Concerto for Alto Saxophone and String Orchestra, Op
Larsson had recently returned from Vienna, where he studied twelve-tone technique with Berg. Rather than embracing atonality, however, he synthesized Berg’s expressive chromaticism with the clear, transparent textures of Swedish folk-influenced neoclassicism. The Saxophone Concerto reflects this synthesis: it is tonal but adventurous, classical in outline but Romantic in gesture.
These concertos are widely performed and recorded, with many resources available online.
The Concerto for Alto Saxophone and String Orchestra, Op. 14, composed by Swedish master Lars-Erik Larsson in 1934, stands as one of the absolute pillars of the classical saxophone repertoire. Alongside the concertos of Alexander Glazunov and Jacques Ibert, Larsson’s work helped elevate the saxophone from a jazz and vaudeville novelty into a respected vehicle for serious, classical expression.
Composed during Larsson’s Neo-Classical period, the concerto draws heavy inspiration from the French tradition—specifically the style of Jean Françaix or the early works of Stravinsky—blended with a distinct Scandinavian melodic sensibility. Musicians, students, and scholars frequently search for the
A playful, technical finale that tests the soloist's agility. Historical Background Lars-Erik Larsson - Saxophone Concerto, Op. 14 (1934) 6 Jul 2024 —
Intonation, breath control, and sustaining long, expressive phrases in the upper register. III. Allegro vivace
The saxophone concerto you're likely referring to is the "Saxophone Concerto" by Lars Larsson (not to be confused with Stieg Larsson, the author). Unfortunately, I couldn't find much information on a specific saxophonist or composer named Lars Larsson with a well-known saxophone concerto.