Alice - Azimut -1982 Pop- -flac 16-44-
Alice’s voice is the centerpiece of the album—soft yet powerful. Lossless audio ensures her breathy, emotional delivery is not lost in compression.
The album is a lean, cohesive collection of songs that balance commercial accessibility with avant-garde experimentation.
A more uptempo, rock-infused pop track that highlights the stellar studio musicianship of the era. The crisp percussion and sharp electric guitar accents give the track a gritty, New Wave edge that balances the album's more esoteric moments. 7. "La Mano" (The Hand)
The album consists of 9 tracks, blending electronic synth textures with sophisticated songwriting: Track Title Notable Credits Synthesizer-driven title track A cosa pensano Co-written by Francesco Messina Animali d'America Features saxophone by Claudio Pascoli Deciditi Described as slightly cheesy AOR/Pop Messaggio Co-written by Battiato (under pseudonym Albert Kui) Principessa Characterized as "personality pop" La mano Arranged by Eugenio Finardi Chan-son Egocentrique High-profile duet with Franco Battiato Laura degli specchi Folk-pop song written by Eugenio Finardi Audio Quality (FLAC 16-bit/44.1kHz) Alice - Azimut -1982 Pop- -Flac 16-44-
A brilliant duet with Franco Battiato himself, this track is a masterclass in Euro-synth-pop irony. Singing in a mix of Italian and French, Alice and Battiato mock the self-absorbed nature of the modern artist and society. The interplay between Alice’s deep, resonant contralto and Battiato’s nasal, intellectual delivery is a highlight of the album, perfectly preserved in uncompressed audio. 3. "Laura degli Specchi" (Laura of the Mirrors)
The album opens with the title track, a beautiful, moody composition highlighted by soft synth textures and a reflective piano melody. It sets the tone for the entire record—a quiet exploration of personal space. 2. "Messaggio" (1982)
: A bilingual (French/Italian/German/English) duet with Franco Battiato. Alice’s voice is the centerpiece of the album—soft
The album succeeded by blending accessible synth-pop melodies with complex, avant-garde arrangements. It moved away from traditional Italian pop tropes, opting instead for a colder, European art-pop aesthetic heavily influenced by the new wave movement. The Battiato Connection and Sonic Architecture
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The album heavily features driving, electronic basslines and crisp synthesizer melodies, characteristic of the new wave movement. A more uptempo, rock-infused pop track that highlights
The year 1982 was a pivotal moment for European pop music. As the New Wave movement swept across the continent, Italian artists began blending traditional melodic sensibilities with cutting-edge electronic experimentation. At the forefront of this sonic revolution was Carla Bissi, known professionally as Alice. Fresh off her historic 1981 Sanremo Music Festival victory with the iconic track "Per Elisa," Alice returned to the studio to record Azimut , her fifth studio album.
: A major summer hit of 1982, co-written by Battiato under the pseudonym "Albert Kui." Its driving synth-pop energy and enigmatic lyrics followed the commercial blueprint of "Per Elisa."
Enter , released in 1982. This album, which can be found in high-quality FLAC 16-44 formats for audiophiles, represents a pivotal moment in Alice's discography. It is a sophisticated blend of synth-pop, new wave influences, and thoughtful songwriting that remains a hidden gem of Italian pop history. 1. Context: Life After "Per Elisa"
If you enjoy 80s Italian pop and are looking for a nostalgic listening experience, by Alice is an excellent choice.
Unlike the cold, sterile feeling of some synth-pop, Alice’s music on Azimut is warm, emotional, and driven by her ethereal vocal performances.
