To appreciate why this specific format matters, let’s walk through the album using a proper DAC and headphones (or high-end monitors).
: An epic, multi-part closer that moves from solemn introspection to a celebratory, soulful climax. Why the 2015 24-bit/192kHz FLAC Remaster Matters
Recorded in just two days, October 31 and November 1, 1977, at Oslo's famed Talent Studio, the six compositions that comprise My Song are all Jarrett originals. The album opens with a 9-minute epic that immediately establishes the group's democratic interplay. It is a platform for a sublime conversation, a lyrical back-and-forth between Jarrett's piano and Garbarek's saxophone, each phrase offering a new, nuanced response to the last.
Why 24-bit/192kHz? While the audible range for humans caps at roughly 20kHz, the 192kHz sampling rate captures ultrasonic frequencies and, more importantly, allows for flawless impulse response and phase coherency in the audible band. For My Song , this is critical. The 24-bit depth provides a theoretical dynamic range of 144 dB—far exceeding the original tape’s 70-75 dB. This means the noise floor is pushed so low that the room’s actual ambient silence becomes audible. Keith Jarrett - My Song -2015- -FLAC 24-192-
Keith Jarrett’s 1978 masterpiece My Song remains a towering achievement in acoustic jazz. Recorded with his legendary European Quartet—featuring saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen—the album balances avant-garde sensibilities with deeply accessible melodies. While original vinyl pressings and early CD reissues have long been parsed by audiophiles, the 2015 high-resolution remaster, delivered in 24-bit/192kHz FLAC format, offers a definitive look into the acoustics of Talent Studio in Oslo.
Unlike Jarrett’s more turbulent American Quartet, this ensemble prioritized space, folk-inflected melodies, and a luminous, airy texture. Garbarek’s crying, piercing saxophone perfectly counterbalances Jarrett’s fluid, gospel-tinged piano lines. Danielsson and Christensen provide a supple, floating rhythmic foundation rather than a rigid time-keeping constraints. Tracking the Masterpiece
In 1978, and his "European Quartet" released My Song , an album that would become a cornerstone of contemporary jazz . Decades later, the 2015 remaster in FLAC 24-bit/192kHz offers listeners a chance to experience this legendary session with unprecedented clarity and depth. The Sound of High Fidelity To appreciate why this specific format matters, let’s
The is more than just a file; it is a bridge between an era of acoustic mastery and the cutting edge of digital audio. By preserving the full dynamic range and spatial detail of the original analog recording, this release offers the definitive way to experience a timeless album. For the dedicated listener, it is an invitation to hear the quiet breath between a pianist's notes and the profound silence that makes the music matter.
The file is distributed as . Unlike MP3 or AAC, FLAC is mathematically identical to the source. Compared to WAV, FLAC offers 30-50% compression without losing a single bit of data. This means you get the full 24-192 experience at half the file size. Crucially, FLAC supports metadata—album art, artist, composer, and even cue sheets—making it the ideal archival format. The 2015 FLAC files are properly tagged with composer credits (all Jarrett) and recording date (October 1977).
The most energetic and avant-garde track on the album, featuring rapid-fire transient attacks. The album opens with a 9-minute epic that
In 2015, ECM began a ground-up remastering program for their back catalog, moving from 16-bit/44.1kHz CD standards to high-resolution PCM. The version of My Song is the result of re-transferring the original analog master tapes (likely 30 ips, 1/4-inch or 1/2-inch) through a state-of-the-art analog-to-digital converter.
What (DAC, headphones, or speakers) are you currently using?
Listening to the 24/192 FLAC version on a quality audio system is a transformative experience. The high resolution reveals the subtle reverberations of Talent Studio’s unique acoustic space. You can hear the distinct strike of Jarrett's fingers on the keys, the breathy texture of Garbarek’s soprano sax, and the delicate shimmer of Jon Christensen’s cymbals with a realism that standard formats struggle to match.
The album opens with an enigmatic, searching quality. The 24/192 resolution immediately proves its worth here, capturing the micro-dynamics of Jarrett’s touch on the keys and the subtle decay of the piano strings inside the studio room. 2. My Song