1983 Mtrjm Kaml: Fylm Women-s Prison Massacre
(1983), also known as Blade Violent or Emanuelle in Prison , is a notorious entry in the "Women in Prison" (WiP) exploitation subgenre. Directed by the prolific Bruno Mattei (often using the pseudonym Gilbert Roussel), the film is a sequel of sorts to his earlier 1982 film Violence in a Women's Prison , featuring much of the same cast and crew. Plot Overview
: The movie was filmed back-to-back with Violence in a Women's Prison (1982) to save on costs, resulting in nearly identical sets and themes. Reception
The film opens with Emanuelle (played by Laura Gemser, the Dutch-Indonesian actress famous for the Black Emanuelle series), a hard-nosed TV journalist investigating a female prison. She goes undercover as an inmate to expose corruption, sadistic guards, and sexual abuse.
Yes. It is a legitimate Italian-French co-production from 1983 directed by Bruno Mattei.
: Known for his "bottom of the barrel" trash-meister aesthetic, Mattei delivers a film filled with over-the-top acting, terrible dubbing, and a "gore flows like water" philosophy. The Rivalry fylm Women-s Prison Massacre 1983 mtrjm kaml
Women's Prison Massacre was born from the early 1980s "women in prison" craze and was made on a shoestring budget. The film has a fascinating production story, with some sources claiming it was shot back-to-back with Mattei's other WIP film, Violence in a Women's Prison , reusing the same sets and costumes. The French funding for the film came from an undergarments company, whose products are conspicuously worn by the female cast throughout the movie. This was a common practice at the time to secure financing for B-movies. The film went by many names, including Blade Violent (Italian title) and Emanuelle in Prison , being marketed as part of the popular "Black Emanuelle" series.
(Ursula Flores), the inmate who "runs" the prison, which includes a memorable knife fight staged for the warden's amusement. Critical Reception
The term "mtrjm kaml" indicates a search for a fully translated (subtitled or dubbed) version. This film is considered a "cult classic" in the B-movie sphere and is available on various streaming platforms and DVD releases, often in special edition remasters by companies like Severin Films.
برونو ماتي (Bruno Mattei) بالتعاون مع كلاوديو فراغاسو (Claudio Fragasso) (1983), also known as Blade Violent or Emanuelle
The film is widely categorized as and is noted for its high levels of graphic violence, gore, and nudity.
A comparison with its sister film, [1] Share public link
It remains a popular title for collectors of 80s Italian cinema due to its "mean-spirited" energy and the presence of Gemser, who remains an icon of the genre.
در این مقاله بلند، به بررسی کامل داستان، بازیگران، سبک ساختاری و نحوه دسترسی به نسخه مترجم کامل این اثر کالت سینمایی میپردازیم. خلاصه داستان فیلم (Plot Summary) Reception The film opens with Emanuelle (played by
تأخذ الأحداث منعطفاً دموياً ومروعاً عندما يُنقل مؤقتاً إلى نفس المنشأة. يتمكن هؤلاء الرجال بقيادة المجرم السادي "كريزي بوي هينديرسون" من خداع الحراس، واحتجاز رهائن، والسيطرة الكاملة على السجن، لتبدأ تصفية حسابات دموية ومعركة بقاء شرسة للنزيلات. طاقم العمل والأداء الفني
The film is known under several titles, including Emanuelle Behind Bars , Blade Violent , and Révolte au pénitencier de filles .
However, her undercover mission takes a deadly turn when four male death-row inmates, led by the psychopathic , escape during a transfer and take over the prison. The film shifts from a standard prison drama into a high-stakes hostage thriller , as the inmates and guards must find a way to survive the violent siege. Key Features
The plot takes a shocking turn when four male death row inmates, led by the psychopathic "Crazy Boy" Henderson (Gabriele Tinti), manage to break out of their transport van and seize control of the women's prison. This is where the film transitions from a standard WIP drama into a grim survival horror. The male convicts proceed to rape, torture, and murder the female inmates in increasingly sadistic ways, including a sick game of Russian roulette.
Laura Gemser’s presence is the soul of the film. Already famous for the Black Emanuelle series, she brings a level of grace and stoicism to a role that is otherwise surrounded by chaos. Her performance as a woman caught between a corrupt legal system and murderous criminals provides the necessary anchor for the audience. Gemser’s involvement is often the primary reason modern cinephiles return to this film, as she remains one of the most recognizable stars of 1980s exploitation cinema. Why the Search for Modern Translations Persists
The film stars the iconic as Emanuelle, an investigative reporter who is framed and incarcerated on trumped-up charges after getting too close to uncovering a corrupt politician.