The 2005/2007 era CD singles often featured more than just the title track. Collectors hunting for this specific FLAC set are usually looking for the original EP versions, which included: Kids (The original indie version) Love Always Remains Indie Rokkers Destrokk
For the uninitiated, before Columbia took Andrew and Ben to the bank, they dropped the Time to Pretend EP in 2005 on Cantora Records. Physically, it was a modest CDr pressing. Digitally? It’s a war zone of 128kbps MP3s from the Limewire graveyard. But if you have the FLAC rip of that disc—specifically the CANRCD 01 variant—you are holding a time capsule made of pure serotonin.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
A "garage-electro" aesthetic that was later smoothed out for radio play.
The case? A cheap jewel case. The insert? A folded piece of cardstock, often missing if you find a used copy today. mgmt 2005 time to pretend cds canrcd 01 flac hot
Unlike MP3s or standard streaming streams that cut off high and low frequencies to save file space, a FLAC file preserves 100% of the original audio data from the CD. For CANRCD 01, this means you hear the exact digital-to-analog master intended by the band in 2005, preserving the raw punch of the drums and the buzzing grit of the cheap synthesizers they used at the time. 2. The Dynamic Range Difference
The specific release that collectors seek is the CD version with the catalog number . This CD, and its 2009 remastered reissue, is the physical key to the band's early sonic DNA. However, the keyword "flac" points to a modern reality: the desire for a perfect, lossless digital copy of this rare disc.
The heart of the search query lies in the alphanumeric code This is the catalog number for the original 2005 CD release on Cantora Records. Unlike later digital reissues that are easy to find, the physical 2005 CD is a genuine rarity. While sources vary, it is widely believed that the initial pressing of this CD was a very limited run of just 1,000 copies, making it one of the hardest-to-find pieces of MGMT memorabilia.
For the , the "CANRCD 01" represents a challenge and a prized trophy of music history. For the audiophile , the FLAC files offer the purest possible listening experience, preserving every crackle and synth wave exactly as it was captured in 2005. For the fan , this EP is a fascinating glimpse into an alternate reality—the sound of two Wesleyan students pretending, before the dream came true. The 2005/2007 era CD singles often featured more
The text "MGMT 2005 Time to Pretend CDS CANRCD 01" refers to the original 2005 CD release of MGMT's second EP, Time to Pretend , published by Cantora Records . This specific version, identified by the catalog number
If you have typed that exact string into a search bar— mgmt 2005 time to pretend cds canrcd 01 flac hot —you are not looking for the 2008 Columbia Records version. You are looking for the ghost. You are looking for the raw, un-mastered, $5 CD-R that Andrew VanWyngarden and Ben Goldwasser burned in their Wesleyan dorm room. This is the story of that disc, why it matters, and why the FLAC rip is the most sought-after digital artifact in indie sleaze history.
In 2005, VanWyngarden and Goldwasser were operating in the basements and dorms of Wesleyan, blending 80s synth-pop, indie-rock, and quirky theatricality into a genre that would eventually be dubbed indietronica. They released their Time to Pretend EP in August of that year, largely distributed by their newly formed university-backed label, Cantora Records.
While digital versions are easily accessible on platforms like Apple Music and Spotify , finding the physical CD is a different challenge. Digitally
In the landscape of late-2000s indie electronic music, few tracks carry the cultural weight of While the song became a global anthem for Millennial hedonism and irony, audiophiles and physical media collectors often seek out a very specific pressing to capture its full sonic depth: the CANRCD 01 CD single [2].
MGMT’s "Time to Pretend" remains a defining anthem of millennial disillusionment and indie-pop brilliance. While convenience dictates using streaming services for daily listening, the file remains the ultimate way to experience the song. It offers an archival, uncompressed window back to the exact moment two college students accidentally invented the future of indie music. If you want to dig deeper into archival audio,
The 2005 EP versions are noticeably different from the Dave Fridmann-produced studio versions. The original "Time to Pretend" features a raw, buzzing, almost abrasive synth lead and a more distinct, deadpan vocal performance. The original "Kids" sounds like a bedroom synth-pop project, relying heavily on a gritty, unquantized drum machine track. 2. Rarity of Ripping Source
Here is where the audiophile (and the archivist) gets excited. Most MP3s of this demo floating around are transcodes—256kbps files that were ripped from a YouTube upload, which was ripped from a 2006 blogspot.
Here’s a write-up tailored to — specifically the FLAC rip that’s circulating among collectors and why this particular release is sought after.