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UI-View32, written by by Roger Barker G4IDE SK, is a 32-bit Windows APRS program.

  
 

UI-View16 and UI-View32 Windows APRS Clients

  
 

i [UI-View]   [UI-View32]  [Registration]  [Downloads]  [Support]  [Maps]  [Map Software & Add-Ons]  [APRS Links] 

 
 

What is UI-View?

UI-View is an APRS client that runs on Windows. This application differs from most APRS software in that it isn't designed just to be used with TNCs in terminal mode. UI-View also supports TNCs in KISS mode, AGWPE host mode and BPQ host mode. The 32 bit version of UI-View also supports WA8DED/TF host mode, and the variant of it used in the SCS PTC-II and PTC-IIe. The host mode support means that UI-View can be used with a wide range of packet hardware and allows up to 16 RF ports to be used.

It can run as a full-featured internal intelligent digipeater with the TNC in KISS mode, and with modification to the UI-View2.INI file, supports the new WIDEn-N settings, and has full support for connecting to APRS servers on the Internet and running as an IGate or Internet Gateway.

UI-View uses bitmap images for its maps. Also, the 32 bit version has full support for Undertow Software's Precision Mapping CD atlas version 5 or 6, allowing you to zoom to street level anywhere in the USA. Their version 7 is also supported by PMapServer7 modified by Bill Diaz KC9XG. Download PMapServer. Precision Mapping 8 could use PMapServer 7. Users of the newer Precision Mapping 9 should use PMapServer 9.

With open architecture, UI-View is designed to make it easy for software authors to write add-on applications that provide additional functionality. There are two versions of UI-View, the original UI-View (sometimes referred to as UI-View16), and UI-View32.

UI-View (or UI-View16)

The 16 bit version will work on Windows 3.1 as well as on 32 bit versions of Windows, but most people should use UI-View32. It is supplied as "registration-ware". An unregistered copy is almost fully functional. The only restriction is that some of the IGATE functionality is disabled. Registration covers both UI-View(16) and UI-View32. See the registration link below.

UI-View32

UI-View32 is a 32 bit version and so needs a 32 bit version of Windows - Win95, Win98, WinME, Win2000, WinXP. It is for registered users only, and has many extra features compared to UI-View(16). If you are unfamiliar with UI-View32, you can try UI-View(16), but unless your hardware doesn't meet the minimum specs for UI-View32, the 32 bit version is recommended. The absolute minimum hardware spec to run UI-View32 is a P120 with Windows 95, 98, ME, 2000 or XP. If you run it on anything less than that, then it will be very slow. Don't expect to be able to run PMapServer7 on a P120. Undertow's own "minimum spec" is for a 200 MHz Pentium, but you will get better performance by running it on a more capable machine. A 500 MHz machine will run PMapServer7 a lot more smoothly than one that only just meets the minimum requirements. It will run fine on Windows Vista, Windows 7, Windows 8.x and Windows 10, but because of UAC (user access control) it should NOT be installed below Program Files or Program Files(X86).

  
 
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Roger Barker G4IDE SK

Roger Barker G4IDE became a silent key on September 8, 2004. The amateur radio community lost a great friend on that day. He will be remembered as a true ham. Roger was the author of WinPack, UI-View and UI-View32, as well as other programs. UI-View has had a huge and positive impact on the APRS community. Most of us only knew him through the UI-View support group, but some UI-View users were fortunate enough to have met him. He was ever-present on the list answering questions that had usually been asked before, but always courteous and always helpful. Even in the middle of the night, he often posted replies. He leaves behind a legacy that will be useful to thousands of hams world-wide for years to come, and his loving wife Dee, his son Steven and his daughter Kate.

Just before Roger G4IDE passed away, the registration fees for UI-View and WinPack were waived, but it is asked that you make a donation to your local or national cancer agency. Please ignore the registration instructions in the UI-View Help.

UI-View Registration:

For registration of UI-View32, please visit Andy Pritchard's website (M0CYP). Enter your callsign and name and then click on the registrar that lives the closest to you. Andy also has some great "add-ons" for UI-View & UI-View32.

WinPack can be downloaded from Andy's site. The old WinPack site www.winpack.org.uk is no longer available.

  
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UI-View (16 bit) Downloads

UI-View v2.39 (not intended for XP and newer) is a single file for doing a full installation. uisfx239.exe (1.86MB).

If you want to be able to put the installation files on two floppies so you can transfer them to another PC, then download ui239_1.exe (1.38MB) and ui239_2.exe (475KB) instead and run each of them with an empty formatted floppy in A: drive and they will create disk 1 and disk 2 of a two floppy disk installation set.

If you are using the 16 bit UI-View v2.32 or later, you can update it to v2.39 with  u16up239.exe (1.03MB). If you are using a version of UI-View earlier than v2.38 with AGWPE, you should install this update. Unless there is a reason to use the older 16 bit version, choose UI-View32 v2.03 below.
 
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UI-View32 v2.03 Downloads

UI-View32 cannot be used without a registration.

If you are in the USA or Canada, and want to use UI-View32 with Precision Mapping, then see the UI-View32 and Precision Mapping page for information about what you need to download. PMapServer9 allows use of Precision Mapping version 9 from UnderTow Software. You can still /download PMapServer. A few screenshots can be viewed here on this site.

V2.03 is the latest full installation of UI-View32. It is supplied as a single file, self-extracting installer 32full203.exe (5.02MB).

UI-View32 V2.03 Update - If you already have a previous version of UI-View32 installed, this self-extracting installation system can be used to update UI-View32 V1.80 or later to V2.03 - 32upd203.exe (2.52MB). See CHANGES.TXT for details of all the changes that have been made since V1.80.

NOTES: UI-View32 was written before Windows Vista, Windows 7, or Windows 8 were on the horizon. Versions of Windows newer than XP use UAC... User Access Control. The operating system doesn't like programs writing to files below Program Files. UI-View saves settings in the file uiview32.ini any time you make changes, and of course the station lists are always changing. For this reason, UI-View32 should be installed somewhere other than below Program Files for versions of Windows newer than XP.

Operating systems newer than XP do not support .hlp help files. The context sensitive help built into UI-View really helps set it apart from other APRS clients. If you are using anything newer than XP but older than Windows 10, you should download WinHlp32.exe from Microsoft's site. Unfortunately, it won't work on Windows 10, but there is a solution. Download RestoreWinhelp32.exe from Stephen WA8LMF's site. It is based on work by Komeil Bahmanpour.

UI-View Support

The old Yahoo support group has been closed. It was migrated over to groups.io on Nov 10 2019. Please include your call sign if you subscribe, and also include it in any posts. Messages to the group by email should be in plain text format. Use the following link to subscribe to the group.

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The industry has navigated distinct phases that mirror the state's political and social transitions.

Reflections on film society movement in Keralam - Taylor & Francis

Period pieces and fantasy films frequently utilize the concept of Odiyans (mythical shapeshifters) or the ancestral spirits of local legend, grounding fantasy elements firmly within the region's historical psyche. 4. The Golden Age to the "New Wave": Realism Over Stardom

. It wasn't a mythological tale like many early Indian films; it was a social drama. Its heroine, , was a Dalit woman playing an upper-caste character—a move so radical for the time that she was hounded out of the state by angry mobs, and her face was never seen on screen again. This tragic beginning cemented the industry’s DNA: cinema as a mirror to society, no matter how uncomfortable the reflection. The Literary Heartbeat

Malayalam cinema, often called "Mollywood," is more than an entertainment industry; it is a profound cultural artifact that both reflects and shapes the socio-political identity of Kerala. From its humble beginnings with J.C. Daniel’s Vigathakumaran in 1928, the industry has evolved into a powerhouse of realism and technical excellence. This paper explores the symbiotic relationship between Kerala’s unique culture—characterized by high literacy, progressive politics, and deep literary roots—and its cinematic evolution. The Cultural Bedrock: Literature and Social Reform download top desi mallu sex mms

Films frequently explore union politics, agrarian struggles, and communist ideologies, reflecting Kerala's unique political history as one of the first democratically elected communist governments in the world.

The foundational narrative structure of Malayalam cinema is heavily indebted to the rich literary and theatrical heritage of Kerala. Literary Adaptations

: Left-wing politics and trade unionism have been central themes in Malayalam cinema for decades, celebrating the working class and historical peasant revolts.

Kerala is globally recognized for its high literacy rates, progressive social reforms, and politically active populace. Malayalam cinema directly mirrors this heightened socio-political consciousness. The industry has navigated distinct phases that mirror

In the 21st century, a "new generation" cinema has taken the industry to unparalleled heights. Led by bold directors like ( Jallikattu , 2019) and Jeo Baby ( The Great Indian Kitchen , 2021), this wave challenges conventional narratives. Jallikattu was India's official entry for the Oscars, while The Great Indian Kitchen sparked global conversations on domestic labor and patriarchy. The industry has also seen increasing prominence of female-led narratives and filmmakers, with films like Aattam (The Play) winning the National Award for Best Film. This global recognition has been solidified with films like the survival thriller 2018 becoming India's official Oscar entry, and Lokah Chapter 1 recently becoming the highest-grossing Malayalam film ever.

: Films shifted toward "politically engagé" narratives with artistic inclinations. Adoor Gopalakrishnan’s Elippathayam (1982) won the Sutherland Trophy at the London Film Festival, marking a high point for global recognition.

: Unlike other regional industries that often rely on spectacle, Malayalam cinema has a long history of adapting celebrated literary works, bringing narrative integrity and intellectual depth to the screen.

For decades, the traditional ancestral home ( Tharavad ) served as the epicenter of Malayalam film narratives. Movies in the 1970s and 1980s frequently explored the decline of the matrilineal feudal system ( Marumakkathayam ). These films captured the anxieties of upper-caste families losing their land holding privileges, juxtaposed against the rising working class. The lush green paddy fields, monsoon rains, and winding backwaters provided a visual poetry that became synonymous with the Kerala aesthetic. The "Gulf Boom" and the Diaspora Identity The Golden Age to the "New Wave": Realism Over Stardom

The journey of Malayalam cinema began in 1928 with the release of Balan , a film directed by P. Subramaniam. However, it was not until the 1950s and 1960s that the industry started to gain momentum. Films like Nottamuri (1955) and Madan Kamara (1967) showcased the unique cultural flavor of Kerala, while also exploring universal themes of love, family, and social justice.

As Malayalam cinema looks to the future, it does so with a potent blend of tradition and innovation. The success of the new wave has proven that audiences crave authenticity, while the digital revolution has democratized access and created new economic models. The industry has become an "intriguing outlier," consistently punching above its weight, and its reach is expanding far beyond Kerala. The sector is now on a stable growth trajectory, supported by new government policies that aim to foster higher-quality productions and international recognition.

During the golden era of the 1960s and 1970s, filmmakers drew direct inspiration from pioneering Malayalam writers like Vaikom Muhammad Basheer, Thakazhi Sivasankara Pillai, and M. T. Vasudevan Nair. Masterpieces such as Chemmeen (1965), based on Thakazhi’s novel, brought the lives, superstitions, and struggles of coastal fishing communities to the silver screen. This established a tradition of narrative realism that remains a hallmark of the industry today. Theatrical Realism

For a Malayali anywhere in the world, from the Gulf to North America, watching a Malayalam film is a ritual of homecoming. It is the smell of the first rain hitting dry red earth; it is the sharp wit of a tea-shop political debate; it is the sound of the kathakali bell mixed with the roar of a Mohanlal fan. In every frame, from the art-house silence of a Vanaprastham to the loud, chaotic family drama of a Drishyam , the cinema and the culture are inseparable. They are, quite simply, the same story told through two different lenses: one through the camera, and the other through the soul of Kerala.

 
 
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Links to other UI-View and APRS sites

  
 

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Other APRS Links

  • APRS SIG... subscribe at https://lists.tapr.org/cgi-bin/mailman/listinfo/aprssig
  • Bob Bruninga WB4APR developed Automatic Packet Reporting System (APRS)
  • Downloads:
  • Fixing the 144.390 MHz APRS Network
    or Stephen WA8LMF's mirror site
    • Please note that RELAY, WIDE and TRACEn-n are now obsolete in North America. The big problem with them is that they cause a horrendous number of dupes. The "ping pong" effect of the dupes does more harm to the APRS network than paths that were too long.
    • The new "universal" path is WIDE2-2. Fill-in digipeaters that used to respond to RELAY should change their alias to WIDE1-1. Where mobiles need the help of a "fill-in" digipeater, they should a path of WIDE1-1,WIDE2-1 instead of WIDE2-2. Even if they happen to be in an area where the fill-in digis haven't yet changed to WIDE1-1, this path will still be compatible with all of the WIDEn-n digis in the rest of the network.
    • There may be occasions where a station needs a longer path, but many smart digipeaters are "trapping" excessively long paths. Do your part to help fix the APRS network by helping to spread the word, as well as changing your own trackers to WIDE2-2 or WIDE1-1,WIDE2-1.
  • NWAPRS - supporting APRS in the "Pacific Northwest" but lots of good information concerning configuring TNC based digipeaters with the "new paradigm" settings for WIDEn-n "wide" digipeaters and for WIDE1-1 "home fill-in" digipeaters.
  • TinyTrak 3 and PocketTracker www.byonics.com
  • OpenTRAC Open Tactical Reporting and Communications is a message protocol designed for carrying tactical information, including GPS position reports, weather data, and telemetry, over an unreliable, bandwidth-constrained network. Typically, this is the Amateur 2-meter VHF band using 1200 bps AFSK. The protocol is specifically designed, however, for use across multiple networks to support Internet backbones, satellite links, and so on. Time will tell if this is an "APRS replacement" or if it will be a parallel network.
  • OpenTracker is an APRS and OpenTRAC capable GPS and telemetry encoder, physically and electrically compatible with the Byonics TinyTrak3. The device connects to a GPS receiver and radio, and transmits AX.25 packets at 1200 or 300 baud. The firmware is published under the BSD license.
  • Xastir APRS client designed to run on several platforms including Linux & Windows.
 

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